Second call was because the commands to connect the second stage box were a tad non-intuitive.
First time, I could not get the first remote to connect(operator error).
It was all because of the configuration for the remote stage box setup. I actually made 2 separate calls for 2 separate setup issues, and both calls were handled in no more than 8-10 minutes. As to the support phone call, it was more like 8-10 minutes. I augment the M32 with an iPad so that I can have extra "stuff" easily reached for. IN any case, having worked on all the Yamaha stuff for years, I had no trouble getting around the M32(but I do agree that Yamaha has done a great job with the "hands-on" part). I'm not a fan of the control layout for channel processing, I much prefer the Yamaha way of doing channel editing, I really didn't expect to say that about this console How much time is no time at all? If they got you up an running with a single call in less than 30 minutes, that's a great endorsement - that's "day of the show" turnaround. The tracks sound fine, no complaints at all about the quality of the Midas preamps. Just before the show I thought about building an Aggregate interface to add a few audience mics, but with 32 inputs from the stage happily in record I decided not to mess with it. The only thing we don't have is a set of audience tracks, but I can fake that together from stuff I have. I built a new session, populated the tracks, record-enabled all of them, and shazam, there it all was. Imagine my amazement when under Playback Engine an option for DN32-USB showed up.
Midas m32 driver pro#
So I hooked up my elderly MacBook Pro to the rear USB port and started Pro Tools. The monitor guy heard what I was doing and said, "Yeah, there's a USB out on the back panel you can get all 32 channels from." I said I thought that was a stereo-only thing, and he said, no, the USB port on the front panel was stereo only. I didn't want to throw inputs away, so I foomfered around on the web researching the Midas M32 they were using for FOH trying to figure out if there was a way around this. I got there, talked to the engineer who was running the audio side, and found out that sure enough the input count had now reached 31. He said 26 inputs would be fine, I was a little unsure. By combining the preamps on the Fireface and the externals, I can record 26 mic inputs.
Midas m32 driver driver#
I have a small system I use for jobs like this with an RME Fireface and a rack with 24 preamps in it. Midas M32 Driver Usb Driver If a product is listed at an incorrect price due to such errors mifas because of inaccurate information received from a supplier, American Musical Supply shall have the right to refuse or cancel any orders placed, whether or not the order has been confirmed and your credit card charged. When connected to my 2008 MacBook Pro running 10.8.5 and Pro Tools 11.3 the Playback Engine DN32-USB becomes available to Pro Tools allowing recording of all 32 input channels via USB 2.0.Ī friend asked me to record tracks for a showcase he was producing in Hollywood over the weekend. When configured in the console, the card can provide pre-fade direct outputs for each of the 32 input channels. The Midas M32 console seems to come standard with a Klark-Teknik DN32 USB card.
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